Linggo, Disyembre 16, 2012

DIRECTOR LAWRENCE FAJARDO, ANOTHER ASWANG GIANT FILMMAKER FROM NEGROS



By GEORGE VAIL KABRISTANTE
PMPC (Phil. Movie Press Club)   

From my blog “ Manila Showbiz & Lifestyle” farmed out in different versions to www:pmpcstarnews.com, Pilipino Mirror, Remate Online, Scandal, CMT (Columnists Monitoring Team) Update, etc.




Director Lawrence Anthony Fajardo
Ang una kong encounter kay Direktor Lawrence Anthony Fajardo ay via his indie film Amok na ne-review namin noon para sa PMPC Star Awards for Movies, meaning ka-award-award nga ang pelikulang ito na incidentally ay nakakuha pa  ng 11 nominations for this year’s Gawad Urian including the top prize at the Detective Fest in Moscow last April.
Julia Montes
        Nasundan ito ng isa pang indie film niya na Posas  sa Cinemalaya Filmfest kung saan nanalo pa ito as Best Film para kay Direk Lawrence sa so-called Director’s Showcase. Big deal if you ask me.
        The third time around was via his latest caper The Strangers na siguradong maging ka-kumpetisyon ito sa isa pang horror genre ng Regal na Shake Rattle and Roll 14: The Invasion sa Metro Manila Filmfest come Dec. 25.
Enchong Dee
        I bumped into this unassuming director/masscom graduate from De La Salle  Bacolod  for the first time sa bookstore ng Dolce Latte, Q.C. and found out na isa pala siya sa mga dating art directors ni Direk Peque Gallaga (Cinema One Originals Lifetime Achievement Awardee 2012)  from Negros. Think film directors from Negros  mentored by Gallaga, namely  Lorrie Reyes,  Eric Matti who in return mentored Richard Somes who just finished his critically-acclaimed and monumental film Supremo with Alfred Vargas in the lead including a cameo role (with dialogue no less)  for one of our entertainment columnists here in PM who goes by the screen name of Zyruz Imperial (marming salamat raw Direk Richard!).
        Out of my inquiry into his resume, nasabi ni Direk Lawrence na nagkasama na pala kami sa isang indie film na ginawa namin noon together with another Cinemalaya award-winning director  na si Ron Bryant kung saan I took the lead role (matuk?) as character in the short story (made into digital film) of novelist Bienvenido Santos playing opposite a homegrown talent (of Angie Ferro and of the theatre company under the National Artist for Theater’s stable Cecile Guidote Alvarez’s Balintataw Film & Theater Arts) turned film actress now you know who Marife Necesito (Mammoth, Graceland, Asawa Ni Meyor, etc.).

Cherry Pie Picache
 I remember, being a digital techie himself Direk Lawrence was behind the camera, lighting, recording and all   in that project of ours. Not one for reminiscing, not too long ago yet dumbo!
        Na-introdyus din niya ako sa kanyang charming and animated wife who comes from the Bautista  clan of showbiz  na si Krisma Maclang, a Business graduate from Meriam who does the business side for  Direk Lawrence. Call it perfect coupling.
        Naturally, Director Lawrence waxes over his recent oeuvre The Strangers  na tungkol skeletons ng pamilya at sa kambal na sina Julia Montes at Enrique Gil bilang anak nila Johnny Revilla at Cherry Pie Picache at ng kanilang lolo na si Jaime Fabregas.
        Sa kamay ng isang another authentic aswang filmmaker preceded by their mentor/ Director Peque Gallaga/ Lorrie Reyes and  followed by Direk Richard Somes,  ang The Strangers ay isa pang pelikula na magbibigay kasiyahan at aliw sa mga manonood na mahihilig sa mga nakakapanindig-balahibong kwento galing sa kanayunan at kayamanan ng kwentong bayan sa syudad ng Bacolod, Negros Occidental.
        And this makes Director Lawrence Anthony Fajardo another film giant from Bacolod City in-progress I bet you.

 

Linggo, Disyembre 2, 2012

DIRECTOR CELSO AD CASTILLO'S FUNERAL VIEWING AT LOYOLA MEMORIAL CHAPEL, COMMONWEALTH AVE. TODAY TILL WEDNESDAY



MONTAGE

By GEORGE VAIL KABRISTANTE

PMPC (Phil. Movie Press Club)
  
From my blog “ Manila Showbiz & Lifestyle” farmed out in different versions to www:pmpcstarnews.com, Pilipino Mirror, Remate Online, Scandal, CMT (Columnists Monitoring Team) Update, etc.




According to the text message from  the younger brother/film director and good friend as well of mine John Ad Castillo the funeral wake of  my dear departed guru/  Director Celso Ad Castillo will be transferred today Dec. 3 (Monday) from Siniloan to Loyola Memorial Chapel,  Columbary, Commonwealth Ave., (near Tandang Sora and at Luzon Ave. stop station )  in front of Pure Gold Supermarket, Quezon City, Philippines.
Viewing today starts at 5:00 p.m. until Dec. 5 (Wed.) only.  Expected to arrive are the two sons of Director Castillo from California Christopher Ad Castillo, a film director in his own right and his younger brother a businessman Celso II.
 Friends and colleagues of Director Celso Ad Castillo from the movie industry will pay their last respect as well to the beloved and highly esteemed director.
For the uninformed and the historically-challenged filmmakers and film aficionados of the country, mention of the film directors who trailblazed the 2nd Golden Age of Philippine Cinema is far from complete without the name of Celso Ad Castillo aka “Messiah of Philippine Cinema,”  “Celso Kid” or simply “D’ Kid” who was once hailed in my definitive interview with no less than Director Peque Gallaga a couple of decades ago  along with Lino Brocka as the “greatest Filipino filmmakers” this generation has produced.
You can’t argue with the unimpeachable, let alone controversial reputation earned by Director Celso Ad Castillo as a damn good artist through much of his career as film director and even as an actor till he breathed his last. I knew him like the palm of my hand as his scenarist/ “brainstormer,” production designer and organizer for his series of film & acting workshops/ seminars we used to conduct as far as Baguio City. And whereof I speak, testify.
That said, Director Celso Ad Castillo fully completed the triangulated greatness of the 2nd Golden Age Of Philippine Cinema with  two departed others and National Artists for Films Directors Lino Brocka and Ishmael Bernal.
Who would not miss D’ Kid?

Linggo, Nobyembre 25, 2012

GREAT DIRECTOR CELSO AD CASTILLO PASSED AWAY AT 69



MONTAGE

By GEORGE VAIL KABRISTANTE
PMPC (Phil. Movie Press Club)
  
From my blog “ Manila Showbiz & Lifestyle” farmed out in different versions to www: pmpcstarnews.com, Pilipino Mirror, Remate Online, Scandal, CMT (Columnists Monitoring Team) Update, etc. 
 
 
DIRECTOR CELSO AD CASTILLO

I received from the text of Director John Ad Castillo, Director Celso Ad Castillo’s brother  early this morning at 03:08:55 informing me of D’ Kid’s (his moniker) death. I said to myself may the great director  rest in peace.

For the uninformed Director Celso Ad Castillo was in the triangulated greatness of the 2nd Golden Age of Filipino Cinema along with National Artists for Film Lino Brocka and Ishmael Bernal.




VILMA SANTOS IN BURLESK QUEEN
Director Celso Ad Castillo was mainly influential in my joining the movies in such capacity as screenwriter (as his scenarist), production designer, and eventually as film/TV director as well. (My legit stage influence was Cecile Guidote Alvarez who founded PETA (Phil. Educational Theatre Association).
The first screenplay or rather some scenarios I wrote for him was for “Uhaw Na Dagat” starred by Eddie Garcia, Dennis Roldan, Gloria Diaz, Isabel Rivas and Elizabeth Oropesa. 

Director Castillo got me here as scenarist, meaning I wrote the dialogue for a particular scene that he would describe to me. I was not credited here because I did  not finish the job.
The next time he took me to Malaysia to design “Pikoy Goes To Malaysia.” We shot the film for months in Kuala Lumpur with Isadora as female lead.

He got me to do the production design of “Pedro Tunasan” with Lito Lapid in the lead but was credited as Art Director  because I did not finish the job and actor Steve Paolo instead who was in the cast took over.
I did the production design of “Ang Daigdig Ay Isang Butil Na Luha” starred by Manilyn Reynes, Gloria Diaz, Dennis Roldan,  Ronaldo Valdez, etc. This film got lost.

He would get me from time to time to brainstorm for some of his film projects at hand one of which was his dream film  “Ang Lalaking Nangarap Na Maging Nora Aunor ” (which I heard Vangie Labalan is appropriating almost the same title as in gagamitin without batting an eyelash and permission as well  for a film she has in mind and dares to direct), “Comfort Women,” “Payaso,” etc.

In all of his lectures/ workshops/ seminars on acting and filmmaking I was all the way with Director Celso Ad Castillo as organizer and speaker as well.

The rest is history, as follows:
Born in Siniloan, Laguna 12 on Sept 1943,  movie director/ scriptwriter/actor, Director Celso Ad Castillo studied at Manuel L. Quezon University and obtained his Bachelor of Arts degree in English Literature in 1964. He is the Son of Atty. Dominador Ad Castillo, lawyer/writer, and Marta Adolfo.

BODY OF WORKS THAT INFLUENCED THE TREND OF PHILIPPINE MOVIES
" NYMPHA " (1971)
DIRECTOR CELSO AD CASTILLO
The second filipino movie after Manuel Conde's " GENGHIS KHAN " that qualified for competition at the VENICE FILM FESTIVAL
" ANG ALAMAT " (1972, Fernando Poe, Jr.)
The first action movie made after the declaration of martial Law that defined the uncertain condition of the Philippine movies
" PATAYIN MO SA SINDAK SI BARBARA " (1974, Susan Roces)
The first filipino movie qualified for competition at the Los Angeles World Film Exposition in Los Angeles, California.
" ANG PINAKAMAGANDANG HAYOP SA BALAT NG LUPA " (1975, Gloria Diaz)
The first screen appearance of the first filipina Miss Universe GLORIA DIAZ; introduced wet look in this movie.
" BURLESK QUEEN " (1977, Vilma Santos)
Garnered 10 out of 11 awards at the Metro Manila Film Festival.
" PAGPUTI NG UWAK, PAG-ITIM NG TAGAK " (1978)
Representing Philippines in all film festivals in foreign countries.
" ANG ALAMAT NI JULIAN MAKABAYAN " (1979, Christopher de Leon)
Exhibited at the UNESCO FILM CONFERENCE in Paris, France. Philippines' official entry at the WORLD FILM FESTIVAL in Montreal, Canada and at the ASEAN FILM FESTIVAL in Kuala Lumpur, Malaysia.
" VIRGIN PEOPLE 1 " (1983)
Represented the Philippines at the MANILA INTERNATIONAL FILM FESTIVAL and outgrossing all festival entries at the box-office.




THE FILMMAKER
Celso Ad Castillo began directing films mid-60's at an early age, but he has since then gained reputation for many other aspects of the craft particularly scriptwriting and acting. In the Filipino movie industry, he holds the unique repuation of being controversial, trendsetter,enfant terrible and messiah of Philippine cinema, and his track record justifies it: he introduced artistry and commercialism in sex films (nympha) when the two were considered incompatible, and introduced sex in artistic projects ( Ang Pinakamagandang Hayop sa Balat ng Lupa/The Most Beautiful Animal on Earth)when moralistic repression was in vogue. An unfortunate and unfair consequence of the controversy is the recognition due him as one of the finest film commentators on the Philippine social scene, with a visual fluency unmatched by any other contemporary filipino film director.
A list of his outstanding outputs (He made more than fifty films to date) would easily find its way under the heading of indispensable introduction to artistic achievements in Philippine cinema: Asedillo, Burlesk Queen, Pagputi ng Uwak, Pagitim ng Tagak (When The Heron Has Turned Black, When The Crow Has Turned White), Totoy Boogie, Pedro Tunasan, Daluyong at Habagat, Julian Makabayan, Patayin Mo Sa Sindak Si Barbara ( Kill Barbara with Panic), Ang Mahiwagang Daigdig ni Pedro Penduko ( The Mystical World of Pedro Penduko), Ang Daigdig ay Isang Butil na Luha ( The World is just but a Drop of Tear). For some of these, Castillo has been rewarded with trophies for excellence: as director of Burlesk Queen (Metro Manila Fim Festival), Pagputi ng Uwak, Pagitim ng Tagak (Urian and Famas Awards) and Paradise Inn (Famas), all of which won best picture in their respective competitions; as co-writer of Pagputi ng Uwak and Paradise Inn and as writer of still another entry Kung Bakit Dugo ang Kulay ng Gabi (Olongapo Film Festival).
Performers have also been known to attain award winning peaks in Castillo films: Susan Roces and Rosanna Ortiz in Patayin sa Sindak si Barbara, Fernando Poe Jr. in Asidillo, Vilma Santos in Burlesk Queen, Joonee Gamboa and Angie Ferro in Pagputi ng Uwak, Lolita Rodriguez, Vivian Velez, Michael de Mesa, Lito Anzures in Paradise Inn. Castillo himself has been rewarded a best supporting actor award in Sampung Ahas ni Eba (Ten Snakes Of Eve).


DIRECTOR CELSO AD CASTILLO'S FILMOGRAPHY
 
2010 666

2003 Sanib

2003 Nympha




1997 Mananayaw


1996 Isla 2
VILMA SANTOS







1986 Payaso





1985 Isla


1984 Virgin People (as Celso Ad Castillo)






1981 Uhaw na dagat (as Celso Ad Castillo)



1979 Aliw-iw




1977 Maligno












1973 Esteban





1971 Asedillo

1971 Nymph

 1971 The Virgin
 
1970 Romantika


1970 Romantiko


1967 Barako



1965 Zebra